Perceiving changes of sound-source size within musical tone pairs.
نویسندگان
چکیده
منابع مشابه
Perceiving Musical Time
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected].. Three experiments are described that investigate listener...
متن کاملObject-Based Sound Source Modeling for Musical Signals
This study presents a framework for audio and music processing which consists of an analysis and a synthesis path that are connected at three representational levels. Auditory signal analysis techniques include a multi-pitch analysis model, an eventdetector, and sinusoidal modeling that are combined in an iterative sound separation system. Techniques are presented for detection of perceptually ...
متن کاملExtended Nonnegative Tensor Factorisation Models for Musical Sound Source Separation
Recently, shift-invariant tensor factorisation algorithms have been proposed for the purposes of sound source separation of pitched musical instruments. However, in practice, existing algorithms require the use of log-frequency spectrograms to allow shift invariance in frequency which causes problems when attempting to resynthesise the separated sources. Further, it is difficult to impose harmo...
متن کاملToward Automatic Sound Source Recognition: Identifying Musical Instruments
One of the broad goals of research in computational auditory scene analysis (CASA) is to create computer systems that can learn to recognize sound sources in a complex auditory environment. In this paper, a set of acoustic features is proposed that relate to the physical properties of sound-producing objects. In particular, a set of orchestral musical instrument sounds is presented as represent...
متن کاملCoda Stop and Taiwan Min Checked Tone Sound Changes
This acoustical and Electroglottography (EGG) study investigates the effect of coda deletion and co-articulatory phasing on vowels and final coda stops, [p t k ʔ], in Taiwan Min checked tones 3 and 5 syllables. Vowel duration, f0, spectral tilt (H1*-A3*), cepstral peak prominence (CPP) and glottal contact quotient (CQ_H) were analyzed. Compensatory lengthening, f0 lowering and increasing period...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: Psychomusicology: Music, Mind, and Brain
سال: 2017
ISSN: 2162-1535,0275-3987
DOI: 10.1037/pmu0000172